Amérasia Film Festival Review: A Brand New Life

[originally published in Schema Magazine]

Dir. Ounie Lecomte | South Korea 2009 | 92:00 | Korean w/ Eng. sub. | Cast: Kim Sae-Ron, Park Do-Yeon, Ko Ah-Sung

Screens SAT MAR 5 | 7:00 PM & SUN MAR 6 | 9:30PM at J.A. de Sève Cinema, Concordia University

In A Brand New Life, Korean-born and French-raised director Ounie Lecomte draws from her own life experiences to convey the hidden stories of Korean orphans waiting to be rescued by the kindness of strangers at a Catholic orphanage near Seoul.

The film opens with a smiling face of a young girl, out and about on errands with her father, whose face is obscured. She buys new shoes, a new coat, and a new dress – what seems like a typically uplifting day out with dad. But little after the credits, Jinhee is on the bus, and is dropped off at the orphanage, where her father exits with a weak excuse of going travelling.

Jinhee stubbornly holds onto the notion that she does not belong at the orphanage because she is not a real orphan. But slowly she comes to realize the true meaning of her father’s departure, and her new life purpose of finding new adoptive parents before her teenage years.

Through her matter-of-fact storytelling that stays away from melodrama, Lecomte portrays the less-than-ideal condition of the orphanage. There aren’t enough real plates (instead of metallic trays used for meals) when the children are having cake; the children also display a uniform look of mismatched sweaters and bowl cuts.

There are more blunt heartaches portrayed as well, such as the only teenaged orphan with a bad leg facing a romantic rejection, leading to an attempted suicide. In one of the truly extraordinary scenes, Jinhee decides that life is not worth living anymore after her only friend is adopted by a British couple, and decides to end her life by burying herself.

The emotional credibility of the film would of course be impossible without the talented young actresses, especially Kim Sae-Ron, who plays Jinhee. Kim’s expressive face shows amazing diversity and emotional maturity for such a young actress.

The sparse soundtrack and the understated cinematography capture the modest and quietly heartbreaking reality of the orphanage beautifully. A Brand New Life is a superbly rendered story of a sad reality in Korea that has been under-reported for too long.

[image from Amérasia Festival webpage]

Binna Kim | A Story of an American Tragedy and Survival

[originally posted on Schema Magazine]

Photo by Elizabeth Kim, from KoreAm Magazine

On April 6, 2006, Binna Kim woke up in a pool of her own blood. It would later turn out that she would be the only survivor in a mass infanticide and matricide committed by her own father. After writing a suicide note to his church pastor, Sang In Kim shot his own family members with a .25-calibre semiautomatic, and took his own life afterwards. Kim survived the shooting because the bullet in her head had hit a thick bone right behind her ear instead of entering deeper into her brain. During her recovery, the whole story of her family’s tragedy was kept from her in fear of hindering her recovery, only to be cruelly exposed to her by an investigating police officer.

But this story does not end in tragedy. Binna, who was told by doctors she would never be able to walk again, is slowly conquering her limp. She’s finishing up college with good grades. She even has found it in her heart to “forgive her father,” as she tells KoreAm magazine.

Recently, South Korea has garnered some notoriety in Western media as a suicide capital of the developed world. Kim’s tragedy was paired with 5 other cases of murder-suicides in Korean-American homes in southern California at the same time. Men who are faced with debt they cannot pay (or legal scrutiny, as was the case for the former president Roh Mu-Hyun) see suicide as an “honourable” option.

The brutality of Binna’s story also highlights the differing cultural pressures, and the lack of support for first-generation immigrants, especially the men. Sang In Kim left the suicide note to his church pastor, but how intimate was this relationship? Could he confide in him about his money troubles? It seems unlikely he ever sought (or could seek) professional counselling, especially as someone who entered the U.S. with an illegally obtained visa. Health care is still a contentious issue for the U.S., and access to mental health resources remain scarce due to its often exorbitant costs. Places like the Korean American Family Service Centre exist to build the bridge between the newly arrived immigrant families and their new surroundings.

On top of that, seeking counselling is still seen as a sign of weakness in Korean society, where confessing to having troubles is seen as worse than taking one’s own life. Binna Kim describes her father’s attitude as often withdrawn and “constantly stressed.”

There needs to be a culture change, where discussion – and seeking help where you need it most – is no longer stigmatized as weak, but as a necessary step for rebuilding one’s roots in a foreign land. Binna’s courage to tell her story should serve as a reminder, and the beginning of that change.

How I became a fat person for a month

When I was 18, I made a vow: never go on a scale again. I had grown to hate the idea of having a seemingly random number control my self-esteem, so I just stopped. Impressively enough, I have kept that promise since. Therefore – you guessed it – I have no idea how much I weigh.

The reason I recall this fact now is because I read this blog post called “I used to be a skinny person” by Kate Fridkis. In it, she talks about how looking great has become synonymous with looking skinny and what that means for women’s self-esteem. Her statement about thinness being “the baseline for other beauty” rang a little too true to me, when I too became a “fat person” briefly last summer.

In Canada, where I’ve spent most of my teenage/adult life shopping for clothes, I am considered what you might call a “normal” body type, even on a “smaller” side. At 5’2” and sizes varying from 2 to 6 and XS to S (thank you, stores), I don’t often have to think about things fitting me, unless it’s a length issue. This gives me a privilege in which I do not face discrimination about my body image in most circumstances.

Not so in Korea. My aunts, upon seeing me (for the first time in over 8 years), commented collectively:
“Wow, you look…fat! But you know, fat in the right places!”

I think that is called “curvy” if you want to be polite, but whatever. Before I could recover, one of them dug even deeper:
“Is everyone in Canada…like you? In sizes I mean…”

The body image change did not stop there. While shopping with them at one of the biggest wholesale clothing markets in Seoul (Dongdaemun), I encountered even more instances where my self-image of how my body was became completely distorted. I stood in shock as the vendors could not find pants that would fit into my now “big” and wide hips.

Back in Canada, I didn’t have to think twice about finding my size – sometimes I could undress the mannequin to fit easily into the sample. Not so anymore. Even more embarrassingly, my hips and legs were now deemed “too fat” to be donning skinny jeans – a style of jeans I had been wearing for the last two years without any shame back home. When I was reaching for a pair of black skinny jeans, my aunt looked at me with a worried face, and finally said: “are you sure you’re gonna look good in that? Let’s go try it on – they look too small for you.” (well you know what? they fit perfectly when I tried them on, thankyouverymuch)

My conviction that I was the fattest person in Korea came true when I was forced to go to a communal bathhouse with my aunts and my grandmother. Communal bathhouses are very common in Korea, and they’re not weird at all – there’s a sense of liberation that comes with nakedness that is not sexualized by any means. However, as I took a look at all the middle-aged and old ladies bathing beside me, I realized that I was the woman with the curviest body. And we’re talking ladies who have had children.

Without physically changing any of my body measurements I had miraculously succeeded in transitioning into a “fat girl” from being “normal-sized” within a matter of 2 weeks. I’m embarrassed to admit how quickly my self-esteem crumbled within the two hours of shopping with my aunts, as I began questioning my own wardrobe choice in things like wearing shorts- oh my god! my naked thighs in all their thick glory! – where women with seemingly no hips and no body fat were surely body-shaming me.

In short, I felt ugly, unattractive, like a gluttonous North American monster exponentially growing thanks to a rich diet of butter and cheese.

Furthermore, my aunts were scandalized beyond belief when I told them I literally didn’t know how much I weighed. “What do you mean you don’t know?! No wonder you’ve gotten so much bigger! You need to keep better track of your body. You are going to be married soon.” (ha ha ha ha)

As you might gather from the comments, it was not only my new body image, but also the attitude towards (mostly women’s) bodies that shocked me. Generally speaking, North American’s won’t comment directly on one’s weight unless it’s about a celebrity’s. And when it is commenting on someone’s weight it is usually accentuating weight loss. Instead, Koreans like to tell you about all kinds of weight changes. Being fat (and thin, but mostly being fat, because it is perilous to your existence when nobody will marry you) is everyone’s business, not just your own. I’ve had many vendors tell me not to buy something because it made me look “big.”

(My mother, being shocked at a comment my uncle made on the phone about me “looking nicely porky,” asked me for about 6 months straight if I had plans to exercise yet.)

I’m not talking about my experiences in Korea to argue that North America’s treatment of women’s body images is good. I encounter too many people (online and in real life) who think they can tell when a person is “too fat” even though they are not medical professionals who can measure someone’s BMI and heart rate. (Many comments towards Precious actor Gabourey Sidibe come to mind – especially Howard Stern’s cruel comment about Sidibe and implying that she had an eating disorder by stating “you can’t eat like this” – ugh)

There isn’t a necessary correlation between one’s weight and one’s health all the time, but we as a society seem quick to make that naturalized connection between “thin = pretty = healthy” and “not thin = ugly = unhealthy”. As a “normal” person living in America I was deemed “too fat” by others in a different country with a clear undertone of being “unhealthy” even though my health is in a relatively good state, according to my last medical check-up two months ago.

There is no such thing as “too fat” – or “too fat for his/her own good.” Because – as I’ve demonstrated here – “fat” is an extremely subjective and constructed state of being, and b) you are not a medical professional.

And I’m proud to announce that despite a bout of shitty self-esteem I experienced last summer, I still managed to keep my vow to not be married to numbers on scales.

No, auntie, I still don’t know how much I weigh. In my books, that’s a good thing.

Celebrating: Queer Korean identities

The Obama government recently renamed June as Lesbian, Gay, Bisexual and Transgender Pride month. June also brings Pride parades and celebrations in many cities and countries – though the two cities I comfortably call “home” – Vancouver and Montreal – are notable exceptions with their Pride celebrations in August.

While being queer in North America is slowly becoming more visible and institutionalized after a few decades of activism and the Stonewall riots, queer identities in Korea remain a marginalized group, often leading a tenuous and anonymous existence. When a well-known actor and entertainer Hong Suk-Chun came out as a gay man 10 years ago, he got dropped from multiple shows where he was appearing regularly and found himself completely out of work for many months. In this short piece in Chosun Daily (the article is in Korean), he tells the reporter of having “fruits thrown at him” when he worked temporarily as a DJ, and his restaurant venture (when his acting gig was kaput) making zero profit when it became known as a “gay restaurant.” Hong admits that Korean society now may be more accepting of gay and lesbian sexuality; but he rightfully states little has changed in actuality since there have been no other actors and entertainers that have followed his suit since his coming out. Nevertheless, his coming out was a big milestone, since it was the first time when Korea had to admit that yes, gays and lesbians do exist in its nation. If you want a funny rendition of how Koreans think there are no gays in their nation, Margaret Cho does a bang-up job of her mother emphatically exclaiming that “they have gay all over the world….BUT NOT KOREA NOT KOREA.”

Another article about Korean queer identities that caught my eye was an interview with Han Chae-Yoon, founder of the Queer Rights group in Korea (these are my own translations, not the official titles). What struck me from reading this interview is Han’s hesitation when asked if queer people in Korea should come out more readily. She responds by saying that everyone’s situation is different, and states that Korean society is honestly not “ready” to accept its gay and lesbian identities.

If one of its well-known activist (who has been out for some time) feels that way, how much longer until someone who simply feels a bit confused and wants to experiment can do so without feeling shame and fear in Korea? (Interestingly enough, Han cites America as one of the better places to be gay, stating “you can be gay in the military there,” which is technically correct, but paints an overly idealistic picture. I guess Canada isn’t on her radar.)

I remember last year in Seoul, I went to one of its only lesbian bars (appropriately called “The Pink Hole”). Being an eager tourist, I naturally started to snap photos of my friends at the place. To my surprise, the waitress came up to me and respectfully asked me to stop taking photos of the place “to protect the clientele.” I remember looking around me to a sea of cautious faces, and the dancing that stayed oddly platonic until you walked away from the bar to an even more anonymous places of the bathroom, or a strategically placed couch on the way to the bathroom outside the bar.

But I continue to have hope for my country. This year is the 11th anniversary of Korean Pride Parade. A recent Korean film called “Antique” about an unlikely business venture and eventual friendship between a rich businessman and a gay pastry chef was a big hit at the Fantasia Film festival 2009 in Montreal. There’s even a K-drama show about a gay man coming out to his family, which I read is drawing many audiences. I hope the Hongs and the Hans of Korea continue to fight the good fight, where being queer no longer contradicts the image of national identities in Korea’s mind.

Follow

Get every new post delivered to your Inbox.

Join 942 other followers

%d bloggers like this: